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华尔街35岁投行员工猝死，曾是美陆军特种兵，死前连续每周工作超100小时_我的网站

半斤八两

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Photo: Courtesy of Ju XiaofuChinese pianist Ju Xiaofu has released his debut album Mist Without on Deutsche Grammophon, one of classical music's most respected labels. The recording, which came out in July, marks an important moment for a new generation of Chinese artists.
Deutsche Grammophon signed Ju earlier this year. The label has previously worked with well-known Chinese pianists including Li Yundi, Lang Lang and Yuja Wang. Ju's arrival raises a different question: What will younger musicians, trained both in China and the West, bring to classical music?
The album features works by Leoš Janácek, Maurice Ravel and Alexander Scriabin. The physical edition also includes three of Ju's own poems.
The title Mist Without draws on the German idea of Weltschmerz, a feeling of world-weariness, and the Chinese tradition of misty, suggestive poetry. Ju uses wu, the Chinese character for mist, to create a quieter and more reflective mood. The centerpiece of the album is Janácek's piano suite In the Mists.
"Poetry and piano are equal parts of my experiences," Ju said in a recent interview with the Global Times. "When I work on a single note or a phrase at the keyboard, it feels exactly like shaping a sentence - counting the syllables, weighing the rhythm, choosing the words."
For Ju, playing the piano is less a profession than a form of daily discipline. "It is stricter than many formal religions," he said.
Now in his mid-20s, Ju previously studied at the Juilliard School in New York before continuing his training in Germany. His approach, rooted in China yet open to the world, reflects a generation of Chinese musicians increasingly comfortable moving between cultures. For Ju, that movement between cultures is not necessarily something that needs to be explained.
"Culture can be learned," Ju said. He hears a deep kinship between turn-of-the-century France and ancient China: "To me, so much of [Claude] Debussy's late work feels like Tang Dynasty (618-907) poetry."
Western critics have already taken notice of Ju's distinctive style. In a 2024 review of his Carnegie Hall recital, New York Concert Review wrote that he "shines in the magic of the understated, pulling us into his psychological stillness." British critic Jed Distler, writing in Gramophone, praised his sensitive understanding of Janácek's music.
Having grown up navigating multiple languages and later pursuing training abroad, Ju sees cultural boundaries less as barriers than as things to move through.
"Unlike before, we can now present Eastern ideas not as a deliberate statement, but as something entirely natural and self-assured," he said.
Ju does not present Mist Without as a grand statement. "It is simply the first step in creating recordings that carry personal thought rather than polished display," he said.
Asked what AI might bring to classical music, Ju was unequivocal.
"If what you care about is the relationship between music and people, AI cannot provide that," he said. "AI represents the perfection of human intelligence. Art shows human nature - its desires, its light and its darkness. Music is about human imperfection."
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据红星新闻5月10日报道，近日美国银行一名35岁的工作人员利奥·卢克纳斯三世猝死，他死前曾为了一个工作项目，连续数周每周工作时长超过100小时。他在加入该银行前，曾当过美国陆军特种部队士兵，这起事件在投资银行界引发了震动。

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经纽约首席医疗检查官办公室证实，卢克纳斯死因为“急性冠状动脉血栓”，这种血栓会导致心脏内血液凝结。据报道，卢克纳斯死前正在负责一项价值20亿美元的并购交易项目，为此他连续数周每周工作时长超过100小时。

尽管验尸官的报告没有明确表明卢克纳斯的死亡是否与工作有关，但卢克纳斯的遭遇却引发众多美国银行从业人员的共鸣。

有现任和前任美国银行员工表示，初级员工每周工作100多个小时的情况并不罕见。一名去年辞职的前美国银行分析师表示，自己在美国银行工作时，每周100小时是例行的工作时间。

三 | 他表示：“这让我早上醒来就想吐。

四 | 我的心理健康状况真的很糟糕。我觉得我的团队没有给予我足够的支持。”“作为一名初级员工，很难反击。作为助理或分析师，你总不能告诉你的总经理‘我累了，可以明天再处理吗’。”

据媒体此前报道，华尔街的悲剧早就出现过，就连实习生都要承担巨大的工作压力。2013年，美银美林一名21岁的实习生死亡，他在两周内曾通宵加班8次。连续3天通宵加班之后，他被朋友发现死于伦敦贝斯纳尔格林的公寓内。医护人员推测他死于癫痫发作。一位朋友说，他的死跟长时间的工作有关。据悉，为了成为投行的正式员工，为了拿到更高的薪水，大学实习生通常要面对一天20小时的高强度工作。

有媒体在2018年就指出，华尔街的加班文化由来已久。